Hopwas Woods – Ancient Woodland Under Threat

I’m reblogging this because it is vital that as many people act to save our ancient woodlands. Once they’re gone, they’re gone!

alvecotewood's avatarAlvecote Wood

PAWS - regenerating broadleaf under conifer at Hopwas Woods PAWS – regenerating broadleaf under conifer at Hopwas Woods

There are many misunderstandings around the phrase “ancient woodland”. But it is really quite simple: ancient woodland is a piece of land that has been wooded since 1600. The age of the current trees don’t matter, although ancient woodland is often home to special, ancient and craggy trees of great wildlife value. What matters is that the piece of land has had woodland on it for a very long time.

So, woodland that has been destroyed by fire but that is regrowing can still be ancient woodland, as can woodland that has been felled and planted with conifers – the soil is what matters, and that soil contains all the special organisms such as mycorrhizal fungi, bacteria and slime moulds, as well as flatworms, insects and others. Once the planted woodland disappears, the soil will regenerate the special ancient woodland that…

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Every tree I’ve climbed

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I remember every tree I’ve climbed, given trees are my passion since I can remember (apparently at the age of eight I stated I wanted to become a forester), this is a lot of trees.

I am not a climbing arborist, and one would guess climbing arborists would be less attached to each tree due to the quantity they have to climb, but this doesn’t seem to be the case.

I cannot list each tree, but the smell, the feel and sometimes fear of each climbing experience is still a much more powerful memory than many holidays and certainly many important life milestones (although alcohol may have played a part here).

The first tree I truly climbed, to the top, was a young Sequoia (planted the year of my birth) and I remember distinctly the extraordinary sensation of holding on tight as it swayed in the breeze. Exhilarating yet scary…

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Remarkable trees I have only ever read about

It is now almost a year since we were on holiday in Scotland, our first ever holiday there. We stayed in a cottage situated a mile or so outside the village of Comrie in Perthshire, surrounded by farmland and trees, and in the distance, hills. There was something there in the lie of the land that quickly cast a spell over us, something magical, that I can still feel as I write here.

I had just finished reading The Story of Yew by Guido Mina di Sospiro, a novel in the form of a history of Ireland, and the world, as seen through the eyes of a 2000 year old yew tree. The tree at the heart of the book is the Muckross Abbey yew in Killarney, which Thomas Pakenham finds in his book Meetings with Remarkable Trees to be probably only 500 years old. However, he does note that not far from the Abbey, on an outcrop of ancient limestone there exists the largest wild wood of yews in Ireland, a wood “as black as a monk’s cowl”. The photograph of the Muckross Abbey yew in Pakenham’s book shows the tree surrounded by a circular iron fence to protect it, from tourists! My wish to visit Muckross and the neighbouring yew wood is still to be achieved.

Having finished di Sospiro’s book I had nothing to read on the last few days of our holiday. At the last minute, our planned visit to Loch Lomond on the last full day of our stay was changed and instead of driving west, we travelled north and east to Cluny Gardens and then on to Aberfeldy, where according to my younger sister, who knows my weakness for reading, there was a great bookshop. The Watermill also serves a good lunch and so I was in heaven! Out of the thousands of books there, one in particular caught my attention; the black and white cover illustration of The Great Wood. The author was Jim Crumley, and I have to admit that I had not read anything by him before, although listed there on the inside cover were at least twenty other titles.

I began reading the book on the way home, to be exact, on the ferry crossing between Cairnryan and Larne. I couldn’t put the book down, enjoying the author’s knowledge and obvious love of the Scottish landscape. Imagine how I felt when I read the first chapter, Soliloquy by the Fortingall Yew. It felt as if I was meant to visit that bookshop and buy that particular book. How could I have missed the fact that a few miles west of Aberfeldy was a truly ancient yew tree? Within weeks of our return home, I had found another holiday cottage to rent near Comrie, and booked it for the following year. That year is almost up and we will be holidaying there again within a couple of weeks, and this time I will not miss making a pilgrimage to see the Fortingall yew!

A Different View

How long is a piece of string?

Once upon a time, when I was much younger and an avid toxopholite, I volunteered to give a talk to club members about bowstrings, what they’re made of, how to make them and so on.  I had just qualified as an archery coach and was feeling on top of the world.  The talk was to last no more than twenty or thirty minutes and if the weather was bad we could move into the clubhouse and hold it in there in comfort.

It took several late evenings to produce my notes and along with sample strings, materials, tools and diagrams I finally gave notice that the talk would take place in a couple of weeks’ time.  At the beginning of my notes I made reference to my childhood and how much I had loved rummaging in my mother’s sewing box.  There was magic in the button jar with its dolly mixture assortment of buttons; the many spools of sewing thread, mainly of cotton but also polyester, which most archers would know by its brand name, Dacron.  So the string on most of our bows was the same material as that used to sew the buttons onto our shirts!

At the time of my talk we lived in Hertfordshire, and at work I had begun talking on the phone with a colleague at our depot in Mitcheldean in the Forest of Dean, Gloucestershire.  He was an American with a wonderful twang in his voice and many yarns to tell (ah, those were the days, when work wasn’t all work).  Coincidentally I was reading a biography of the legendary Fred Bear, an American bow hunter and bowyer, and casually asked my colleague if he knew of a town called Grayling in Michigan, the town where Fred Bear had set up his archery business.  “Why, that’s where I was born” replied my colleague.  “In fact I worked at Fred Bear’s factory for a while, making strings!”  I couldn’t believe it!  Another crazy coincidence!

Anyway, the day of my talk arrived and as luck would have it the rain was pouring down, rain like stair rods!  The turnout wasn’t what I had expected and was made up mostly of my seniors, hardened and very experienced archers; the core of the club.  So, I gave my talk against a background of cajoling and much interruption, and many questions.   Nevertheless, it was a success and I was applauded on its close.  I kept my notes and made a promise to return one day and repeat the session at a later date.  However, my work and my circumstances altered, and shortly afterwards I relocated to work alongside my colleague in Gloucestershire.  I discovered that in his spare time he was a great knitter of woollen clothing and even turned out some mighty fine crochet work.

We remain good friends even though I have relocated again, this time three hundred miles to the north-west.  When working together we discovered that we were the same age with our birthdays only a few days apart.

And the answer to the question in the title: twice as long as half its length!

Just a Few Words

Into the Forest  An Anthology of Tree Poems

                                                    

Editor: Mandy Haggith.  The editor has donated all royalties to Trees for Life.  The book is published by Saraband, 2013.  ISBN: 978-19086-4318-6.

 An unusual book of poetry that uses the Gaelic Tree alphabet, the Ogham, for the sequence of over 200 poems, ranging from Robert Burns to Robert Frost, Seamus Heaney to DH Lawrence.  The book has been on my desk and read daily ever since I bought it last December; an exciting mixture of old and new, and I just can’t put it down!  It is a wonderfully tactile book with fabulous cover artwork by Carry Akroyd and beautifully drawn internal artwork by Kate Cranney.

 A book of vital words and images!